Ein ungewöhnliches Konzept bietet das Credit Card Knife: mit einer Größe von 7,1 cm Länge und 3,5 cm Breite (geschlossen) und einer Dicke von gerade einmal 3 (!) Millimetern (ohne Clip) verschwindet das Messer z.B. diskret im Kreditkar
Debits and Credits is a collection of fourteen stories, nineteen poems, and two scenes from a play by Rudyard Kipling, a British writer who wrote extensively about British colonialism in India and Burma. In 1907, he became the first Englishman to receive the Nobel Prize for Literature. Rudyard Kipling, in full Joseph Rudyard Kipling, (born December 30, 1865, Bombay [now Mumbai], India—died January 18, 1936, London, England), English short-story writer, poet, and novelist chiefly remembered for his celebration of British imperialism, his tales and poems of British soldiers in India, and his tales for children. He received the Nobel Prize for Literature in 1907. Kipling’s father, John Lockwood Kipling, was an artist and scholar who had considerable influence on his son’s work, became curator of the Lahore Museum, and is described presiding over this “wonder house” in the first chapter of Kim, Rudyard’s most famous novel. His mother was Alice Macdonald, two of whose sisters married the highly successful 19th-century painters Sir Edward Burne-Jones and Sir Edward Poynter, while a third married Alfred Baldwin and became the mother of Stanley Baldwin, later prime minister. These connections were of lifelong importance to Kipling. Much of his childhood was unhappy. Kipling was taken to England by his parents at the age of six and was left for five years at a foster home at Southsea, the horrors of which he described in the story “Baa Baa, Black Sheep” (1888). He then went on to the United Services College at Westward Ho, north Devon, a new, inexpensive, and inferior boarding school. It haunted Kipling for the rest of his life—but always as the glorious place celebrated in Stalky & Co. (1899) and related stories: an unruly paradise in which the highest goals of English education are met amid a tumult of teasing, bullying, and beating. The Stalky saga is one of Kipling’s great imaginative achievements. Readers repelled by a strain of brutality—even of cruelty—in his writings should remember the sensitive and shortsighted boy who was brought to terms with the ethos of this deplorable establishment through the demands of self-preservation. Kipling returned to India in 1882 and worked for seven years as a journalist. His parents, although not officially important, belonged to the highest Anglo-Indian society, and Rudyard thus had opportunities for exploring the whole range of that life. All the while he had remained keenly observant of the thronging spectacle of native India, which had engaged his interest and affection from earliest childhood. He was quickly filling the journals he worked for with prose sketches and light verse. He published the verse collection Departmental Ditties in 1886, the short-story collection Plain Tales from the Hills in 1888, and between 1887 and 1889 he brought out six paper-covered volumes of short stories. Among the latter were Soldiers Three, The Phantom Rickshaw (containing the story “The Man Who Would Be King”); and Wee Willie Winkie (containing “Baa Baa, Black Sheep”). When Kipling returned to England in 1889, his reputation had preceded him, and within a year he was acclaimed as one of the most brilliant prose writers of his time. His fame was redoubled upon the publication in 1892 of the verse collection Barrack-Room Ballads, which contained such popular poems as “Mandalay;” “Gunga Din;” and “Danny Deever.
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Rural Credits:Hearings Before the Subcommittee of the Joint Committee on Rural Credits, Congress of the United States, Sixty-Fourth Congress, First Session, Statements of Hon. David F. Houston, Hon. David Lubin, Hon. John Skelton Williams, Hon. Charles S U. S. Joint Committee on Rural Credits
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The recent financial crisis has highlighted the need for better valuation models and risk management procedures, better understanding of structured products, and has called into question the actions of many financial institutions. It has become commonplace to blame the inadequacy of credit risk models, claiming that the crisis was due to sophisticated and obscure products being traded, but practitioners have for a long time been aware of the dangers and limitations of credit models. It would seem that a lack of understanding of these models is the root cause of their failures but until now little analysis had been published on the subject and, when published, it had gained very limited attention. Credit Models and the Crisis is a succinct but technical analysis of the key aspects of the credit derivatives modeling problems, tracing the development (and flaws) of new quantitative methods for credit derivatives and CDOs up to and through the credit crisis. Responding to the immediate need for clarity in the market and academic research environments, this book follows the development of credit derivatives and CDOs at a technical level, analyzing the impact, strengths and weaknesses of methods ranging from the introduction of the Gaussian Copula model and the related implied correlations to the introduction of arbitrage-free dynamic loss models capable of calibrating all the tranches for all the maturities at the same time. It also illustrates the implied copula, a method that can consistently account for CDOs with different attachment and detachment points but not for different maturities, and explains why the Gaussian Copula model is still used in its base correlation formulation. The book reports both alarming pre-crisis research and market examples, as well as commentary through history, using data up to the end of 2009, making it an important addition to modern derivatives literature. With banks and regulators struggling to fully analyze at a technical level, many of the flaws in modern financial models, it will be indispensable for quantitative practitioners and academics who want to develop stable and functional models in the future.
Credit scoring aims to quantify the likelihood of a prospective borrower defaulting on payment over a specified period of time. The credit score is calculated using increasingly sophisticated statistical models, which vary considerably between individual cases. This clearly-written and comprehensive text covers the scorecard development process and provides a practical how-to guide for those wanting to use and develop credit scoring techniques. Assuming little prior knowledge, the text includes the relevant statistical and mathematical tools, numerous real-life examples, and discussion of the credit risk management cycle and the importance of credit scoring in business and regulatory environments, including Basel II. An extensive glossary and bibliography make this an indispensable desktop reference for graduate students in statistics, business, economics and finance, MBA students, credit risk and financial practitioners.
Counterparty Credit Risk and Credit Value Adjustment:A Continuing Challenge for Global Financial Markets Jon Gregory
From Credit Growth to Credit Crunch:Analysis of policy responses to credit development in Central and Eastern Europe Martina JaSová, Martina Ja ová
Credit, Currency or Derivatives:Instruments of Global Financial Stability or Crisis?
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